You'll never sing again, said her doctor. But in a story from the very edge of medical possibility, operatic soprano Charity Tillemann-Dick tells a double story of survival -- of her body, from a double lung transplant, and of her spirit, fueled by an unwavering will to sing.

A powerful story from TEDMED 2010.

Susan notes: I'm deeply saddened by the death yesterday of one of my heroines, war zone journalist and camerawoman Margaret Moth. She was an amazing woman in every sense of the world. I am grateful for her life so fully lived.

See the three-part CNN docuentatry video of her life here: Margaret Moth (Journalist/Camerawoman); and my September 2009 blog on her story here: The Margaret Moth Story: FEARLESS (or: A Heroine Just Walked Into My Life). This is part of Moth's obituary which ran yesterday on CNN.com; click on the link below to see the complete article.

Simply put, Margaret Moth made an impression.

The French version of the can-can, which became popular in the early 1800s in the working class ballrooms of Paris, is a lively music hall dance.

It's performed by a chorus line of women, usually dressed in long skirts and petticoats, which are lifted, kicked and swirled suggestively to reveal the dancers’ black-stocking-ed legs, and sometimes more!